Media Ecologies

In Media Ecologies Matthew Fuller asks what happens when media systems interact. Complex objects such as media systemsunderstood here as processes or elements in a composition as much as thingshave become informational as much as physical but without losing any of their fundamental materiality. Fuller looks at this multiplicitous materialityhow it can be sensed made use of and how it makes other possibilities tangible. He investigates the ways the different qualities in media systems can be said to mix and interrelate and as he writes to produce patterns dangers and potentials.. Fuller draws on texts by Felix Guattari and Gilles Deleuze as well as writings by Friedrich Nietzsche Marshall McLuhan Donna Haraway Friedrich Kittler and others to define and extend the idea of media ecology. Arguing that the only way to find out about what happens when media systems interact is to carry out such interactions Fuller traces a series of media ecologiestaking every path in a labyrinth simultaneously as he describes one chapter. He looks at contemporary London-based pirate radio and its interweaving of high- and low-tech media systems; the medial will to power illustrated by the camera that ate itself; how as seen in a range of compelling interpretations of new media works the capacities and behaviors of media objects are affected when they are in abnormal relationships with other objects; and each step in a sequence of Web pages Cctvworld wide watch that encourages viewers to report crimes seen via webcams.. Contributing to debates around standardization cultural evolution cybernetic culture and surveillance and inventing a politically challenging aesthetic that links them Media Ecologies with its various narrative speeds scales frames of references and voices does not offer the academically traditional unifying framework; rather Fuller says it proposes to capture an explosion of activity and ideas to which it hopes to add an echo.