Memoirs of Elleanor Eldridge

Elleanor Eldridge born of African and US indigenous descent in 1794 operated a lucrative domestic services business in nineteenth century Providence Rhode Island. In defiance of her gender and racial background shepurchased land and builtrental property from the wealth she gained as a business owner. In the 1830s Eldridge was defrauded of her property by a white lender. In a series ofcommon court cases as alternately defendant and plaintiff she managed to recover it through the Rhode Island judicial system. In order to raise funds to carry out this litigation her memoir which includes statements from employers endorsing her respectable character was published in 1838. Frances Harriet Whipple an aspiring white writer in Rhode Island narrated and co-authored Eldridges storyexpressing a proto-feminist outrage at the male extortioners who caused Eldridges loss and distress.With the rarity of Eldridges material achievements asideMemoirs of Elleanor Eldridgeforms an exceptional antebellum biography chronicling Eldridges life from her birth through the first publication of almost yearly editions of the text between 1838 and 1847. Because of Eldridges exceptional life as a freeborn woman of color entrepreneur it constitutes a counter-narrative to slave narratives of early 19th-century New England changing the literary landscape of conventional American Renaissance studies and interpretations of American Transcendentalism.With an introduction by Joycelyn K. Moody this new edition contextualizes the extraordinary life of Elleanor Eldridgefrom her acquisition of wealth and property to the publication of her biography and her legal struggles to regain stolen property. Because of her mixed-race identity relative wealth local and regional renown and her efficacy in establishing a collective of white women patrons this biography challenges typical African and indigenous womens literary production of the early national period and resituates Elleanor Eldridge as an important cultural and historical figure of the nineteenth century.