Mixing Music

<p>This series Perspectives On Music Production collects detailed and experientially informed considerations of record production from a multitude of perspectives by authors working in a wide array of academic creative and professional contexts. We solicit the perspectives of scholars of every disciplinary stripe alongside recordists and recording musicians themselves to provide a fully comprehensive analytic point-of-view on each component stage of record production. Each volume in the series thus focuses directly on a distinct aesthetic moment in a record’s production from pre-production through recording (audio engineering) mixing and mastering to marketing and promotions. This first volume in the series titled <i>Mixing Music</i> focuses directly on the mixing process. </p><p>This book includes:</p><ul> <p> </p> <li>References and citations to existing academic works; contributors draw new conclusions from their personal research interviews and experience.</li> <p> </p> <li>Models innovative methodological approaches to studying music production.</li> <p> </p> <li>Helps specify the term record production especially as it is currently used in the broader field of music production studies. </li> </ul>