Mobility Air Forces

<p>The time has come for another significant shift in air mobility culture. Historically this culture had three subcultures intratheater intertheater and air refueling. These subcultures existed due to gaps between operating environments. The gaps have largely disappeared and they will not return. The distinctly different mindsets found in the subcultures must disappear as well. Air mobility is a major subculture of the overall U.S. Air Force culture. As such it shares many of the same basic assumptions derived from airpower 19s inherently strategic nature. The strongest assumption is the ability of airpower to be decisive. This decisiveness is facilitated through centralized command and control applied flexibly with unity of effort by an Airman. Not all Airmen believe strongly in the strategic nature of the Air Force however. This has led to controversy concerning the proper focus of Air Force efforts tactical or strategic. These values assumptions and controversies have driven cultural doctrinal and organizational change within air mobility throughout its history. Gaps or seams between the theater and strategic environments have never been hard and fast from an air mobility perspective not even for the air refueling force during the height of the Cold War. Theater airlift forces have flown predominantly logistical missions. Intertheater forces have flown in combat environments sometimes frequently. Air refueling assets have never actively engaged in a nuclear attack but have participated in many theater contingency operations. Vietnam narrowed the gap between theater and strategic to a point where control of airlift forces was consolidated. Air refueling remained an integral part of Strategic Air Command. Air Force reorganization in the 1990s divided airlift forces once again but placed air refueling and intertheater forces together for the first time. This reorganization its focus on strategic missions and the strength of the three subculture</p><p>This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact and remains as true to the original work as possible. Therefore you will see the original copyright references library stamps (as most of these works have been housed in our most important libraries around the world) and other notations in the work.</p><p>This work is in the public domain in the United States of America and possibly other nations. Within the United States you may freely copy and distribute this work as no entity (individual or corporate) has a copyright on the body of the work.</p><p>As a reproduction of a historical artifact this work may contain missing or blurred pages poor pictures errant marks etc. Scholars believe and we concur that this work is important enough to be preserved reproduced and made generally available to the public. We appreciate your support of the preservation process and thank you for being an important part of keeping this knowledge alive and relevant.</p>