This invaluable collection explores the many faces of murder and its cultural presences across the Italian peninsula between 1350 and 1650. These shape the content in different ways: the faces of homicide range from the ordinary to the sensational from the professional to the accidental from the domestic to the public; while the cultural presence of homicide is revealed through new studies of sculpture paintings and popular literature. Dealing with a range of murders and informed by the latest criminological research on homicide it brings together new research by an international team of specialists on a broad range of themes: different kinds of killers (by gender occupation and situation); different kinds of victim (by ethnicity gender and status); and different kinds of evidence (legal judicial literary and pictorial). It will be an indispensable resource for students of Renaissance Italy late medieval/early modern crime and violence and homicide studies.
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