<p>Chapters present a Jungian approach to music in film highlighting how 'music-image' functions both independently and in conjunction with the visual image and suggesting further directions in areas of research including music therapy and autism. Divided into three cumulative parts Part I explores the Jungian psychological account of the music-image; Part II combines theory with practice in analysing how the auditory image works with the visual to create the 'film as a whole' experience; and Part III implements a specific understanding of three individual film cases of different genres eras and styles as psychologically scrutinised 'case histories'. </p>
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