<p><span style=background-color: rgba(255 255 255 1); color: rgba(15 17 17 1)>These pirates who just kidnapped Ella seem to think that she knows the location of the Gwambi's Lost City of Gold. Sure her father died looking for the Gwambi city but that doesn't mean&nbsp;</span><strong style=background-color: rgba(255 255 255 1); color: rgba(15 17 17 1)>she</strong><span style=background-color: rgba(255 255 255 1); color: rgba(15 17 17 1)>&nbsp;knows anything about it. Her mother wouldn't even let her read the one book they owned on the lost Gwambi city. Mind you she read every other book in the house-every other book in the parish-so she knows a thing or two. The question is can she&nbsp;</span><strong style=background-color: rgba(255 255 255 1); color: rgba(15 17 17 1)>do</strong><span style=background-color: rgba(255 255 255 1); color: rgba(15 17 17 1)>&nbsp;anything with all that head knowledge? I mean does it matter if she can positively identify the difference between a gnome a leprechaun and a nymph if she can't defend herself when they are trying to stab her in the gut? And let's not even start talking about the sorcerer...</span></p><p></p><p><span style=background-color: rgba(255 255 255 1); color: rgba(15 17 17 1)>With a focus on immersive world-building that features fully developed fantasy races deeply religious colonists and labor riots&nbsp;</span><em style=background-color: rgba(255 255 255 1); color: rgba(15 17 17 1)>My Father's Land</em><span style=background-color: rgba(255 255 255 1); color: rgba(15 17 17 1)>&nbsp;draws as much from JRR Tolkien and Indiana Jones as it does from Charles Dickens. The Gwambi Tetralogy borders on magical realism and is a faith-based and character-driven spin on the fantasy genre.</span></p>
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