Naming and namelessness are among the major themes of medieval romance. Because the genre is so difficult to define scholars have viewed romance as containing a critical number of themes; this book treats naming as a major theme of romance and furthermore examines romance's relationship with contemporary naming-theory. A new genre it is able to play with naming in a way that previously established genres are not.The book begins with a discussion of the medieval background to romance and explores a series of naming-patterns found across a broad range of texts. It continues with detailed analysis of twenty-one romances [in English French and Anglo-Norman from 1130 to 1500] to show how naming-themes are treated differently in each and to demonstrate the importance of name as a generic marker. Finally an appendix provides details of each romance's context together with indications for further research.JANE BLISS is an independent scholar; she gained her PhD from Oxford Brookes University.
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