Film scholar Ronald Schwartz examines the most significant representatives of the Neo-Noir style beginning with Alfred Hitchcock's Psycho and concluding with Michael Mann's Collateral (2004). Schwartz provides in-depth analyses of over 30 of the best Neo-Noir films and explains the qualities and characteristics of the new noir style. He also explains how it differs from Film Noir of the forties and fifties. In this chronological guide Schwartz examines such landmark films as The Manchurian Candi
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