<p>The most credible and frightening of all the vampire books of the past decade.<br />--<em>San Francisco Chronicle</em></p><p>Bram Stoker meets Stephen King meets Michael Crichton. It just doesn't get much better than this.<br />--Nelson DeMille</p><p>The stunning <em>New York Times</em> bestselling vampire saga that author Dan Simmons (<em>Drood The Terror</em>) calls an unholy spawn of <em>I Am Legend</em> out of <em>'Salem's Lot</em> concludes with <em>The Night Eternal</em>. The magnificent if monstrously warped brainchild of cinematic horror master Guillermo del Toro (<em>Pan's Labyrinth Hellboy</em>) and Chuck Hogan--whose novel <em>Prince of Thieves</em> was praised as one of the 10 best books of the year by Stephen King--<em>The Night Eternal</em> begins where <em>The Strain</em> and <em>The Fall</em> left off: with the last remnants of humankind enslaved by the vampire masters in a world forever shrouded by nuclear winter. Still a small band of the living fights on in the shadows in the final book of the ingenious dark fantasy trilogy that <em>Newsweek</em> says is good enough to make us break that vow to swear off vampire stories.<br /></p>
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