Is a copy anything but an attempt to extract the maximum from an encounter with a work of art? I'm convinced that the copy of a masterpiece is the best school there is for any artist who decides to make art.Including the following texts by Alberto Giacometti: Notes on the copiesExtract from a conversation with Gotthard JedlickaAt the Louvre with GiacomettiA conversation with Pierre SchneiderFor 15 days now...Extract from a conversation with André ParinaudIs Greek art modern?A conversation with Georges Charbonnier
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