<p>The precise gaze and chiseled language of the poems in <em>Oldest Mortal Myth</em> authoritatively convey a broad and deep knowledge. Whether a reimagining a Greek myth in order to infuse it with a contemporary pain extending empathy and humorous <em>Mitmenschkeit</em> to both denizens and voyeurs of the world's freakshows or describing with wit and experience the spiritual affects of medical conditions the book is infused with restrained but piercing emotion a subtle metrical ear and enough daring and wit to write in rhymed couplets to take the obvious easy way. For instance with the last line of &ldquo;De Wallen Amsterdam&rdquo;: &ldquo;The moon above the spires a sexless disk/eyes us coolly as an odalisque.&rdquo; I so admire the refusal to make that last line scan as a perfect iambic pentameter line. It would be so easy; all you&rsquo;d have to do is add the grammatical but colloquial &ldquo;as.&rdquo; Which would have ruined the line and the poem. Oh and the rhymes in the canzone! There&rsquo;s much to admire here much to enjoy.<br />&mdash;Marilyn Nelson</p>
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