This book explores early reflections on music and its effects on the mind and soul. Augustine is an obvious choice for such an analysis as his <i>De Musica</i> is the only treatise on music by a Christian writer in the first five centuries AD; concerned not only with poetic metre and rhythm but also with an ontology of music. Focusing on the six books of <i>De Musica</i> the <i>Confessions</i> and the <i>Homilies on the Psalms </i> Carol Harrison argues that Augustine establishes a psychology ethics and aesthetics of musical perception which considered together form an effective theology of music. For Augustine music-both heard and performed- becomes the means by which we can sense and participate in divine grace. Composed by one of the world's foremost Augustine scholars this book is a concise and powerful exploration of Augustine's writing and reflections on music and by extension the intimate relationship between music religion and philosophy.
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