<p>This book explores multicultural representation in western European operatic genres in the modern world. It reveals&#12288;approaches to reflecting identity transmitting meaning and inspiring creation&#12288;and&#12288;the&#12288;ambiguities of&#12288;cultural values and practices that&#12288;occur across the time and place(s) of performance. In theorizing coloniality through intercultural&#12288;exchange in opera essays explore topics that involve immigrant indigenous exoticist and other cultural representations. The book offers a more integrated understanding of the interdisciplinary fields inherent in opera including musicology sociology anthropology and others in Theatre Gender and Cultural Studies.</p>
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