Organic Cinema

<p> The organic is by now a venerable concept within aesthetics architecture and art history but what might such a term mean within the spatialities and temporalities of film? By way of an answer this concise and innovative study locates organicity in the work of Béla Tarr the renowned Hungarian filmmaker and pioneer of the slow cinema movement. Through a wholly original analysis of the long take and other signature features of Tarr's work author Thorsten Botz-Bornstein establishes compelling links between the seemingly remote spheres of film and architecture revealing shared organic principles that emphasize the transcendence of boundaries.</p>