Orthodox Passions
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<p>In this groundbreaking interdisciplinary study Maram Epstein identifies filial piety as the dominant expression of love in Qing dynasty texts. At a time when Manchu regulations made chastity the primary metaphor for obedience and social duty filial discourse increasingly embraced the dramatic and passionate excesses associated with late-Ming chastity narratives. <p/>Qing texts especially those from the Jiangnan region celebrate modes of filial piety that conflicted with the interests of the patriarchal family and the state. Analyzing filial narratives from a wide range of primary texts including local gazetteers autobiographical and biographical <i>nianpu</i> records and fiction Epstein shows the diversity of acts constituting exemplary filial piety. This context <i>Orthodox Passions</i> argues enables a radical rereading of the great novel of manners <i>The Story of the Stone</i> (ca. 1760) whose absence of filial affections and themes make it an outlier in the eighteenth-century sentimental landscape. By decentering romantic feeling as the dominant expression of love during the High Qing <i>Orthodox Passions</i> calls for a new understanding of the affective landscape of late imperial China.</p>
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