<p>&ldquo;I know it when I see it&hellip;&rdquo; These words famously spoken in 1964 by United States Supreme Court Justice Potter Stewart became the rallying cry of the anti-obscenity lobby as their enraged howls became the soundtrack to a tumultuous mixture of modern art homosexuality and public funding.</p><p>Author Richard Meyer charts the history of this American culture war through detailed analysis of the work of artists who fought on the front lines often finding themselves personally vilified&hellip; and their artwork suppressed denounced and censored.</p><p>Meyer tells the heroic story of the artists who rather than acquiesce to their critics doubled down in their response and created an &ldquo;Outlaw Representation&rdquo; of homosexuality. Liberated by their new outlaw status the homosexual art community was suddenly free to create some of the most socially important work of their generation.</p><p><em>Outlaw Representation</em> is filled with brilliant artwork from some of the most celebrated artists of the 20th Century including&hellip;</p><ul> <li>&nbsp;Andy Warhol</li> <li>Robert Mapplethorpe</li> <li>Paul Cadmus</li> <li>Gran Fury</li> <li>David Wojnarowicz</li> <li>Holly Hughes</li></ul><p>&nbsp;&hellip; and many more<br />&nbsp;</p>
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