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About The Book
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Over the last twenty years reenactment has been appropriated by both contemporary artistic production and art-theoretical discourse becoming a distinctive strategy to engage with history and memory. As a critical act of repetition which is never neutral in reactualizing the past it has established unconventional modes of historicization and narration. Collecting work by artists scholars curators and museum administrators the volume investigates reenactment's potential for a (re)activation of lay