Paradise Lost and the Romantic Reader

Was Milton on the side of the angels or the devils? Was he republican or anti-republican feminist or misogynist? Did he value innocence or experience? This book shows how the Romantic reader responded in complex and often paradoxical ways to multiple ambiguities inherent in the very language of Paradise Lost. It examines ambivalent allusions to Satan and God in responses to the French Revolution (Coleridge and Wordsworth) in studies of the origin of evil (Godwin Blake the Shelleys) in accounts of the creative imagination and it looks at how Eve pervades representations of female sexuality (Byron and Keats). The book culminates in a chapter on Blake''s Milton and also considers such prose writers as De Quincey Lamb Wollstonecraft and Hazlitt.