This 1984 book was the first to investigate the full implications of Paul Valéry''s interest in the relationship between music and poetry. The book is more of a survey of all that Valéry had to say on music; it examines in detail the influence of such music upon his work as a poet. The structure of the book comprises three distinct phases of argument. In the first part Dr Stimpson details Valéry''s contacts with the major developments in twentieth-century French music and reveals particularly close relationshops with a number of outstanding composers and performers. Part II explores Valéry''s theoretical consideration of the links between music and poetry. The third section studies the musical techniques in Valéry''s poetry - melody harmonics rhythm musique verbale and recitative. This will be an important book for serious students of Valéry''s poetry and all those interested in the relationship between poetry and music.