Performing Memory

<p> Through a post-1968 perspective on the past 50 years <em>Performing Memor</em>y brings together case studies on new developments in the relationship between politics and visual representation-including the histories of dance theatre political performance and cinema-and investigates how they relate to the interlinked concepts of visuality corporeality and mobility. Using a collective transdisciplinary attitude from within historical disciplines and looking across to artistic fields this volume demonstrates that memory is not merely a recollection of experience but an interactive process in which the body mobile and constrained is both a point of departure and reference.</p>