Perspectives on Gender in Post-1945 German Literature

<b>Masculinist and feminist worldviews in post-1945 German literature and the possibility of a dynamic reconceptualization of human subjectivity.</b><br><br>Rooted in Enlightenment rationalism modernity tends to privilege masculine-connoted characteristics -- conscious subjective agency rational control and self-containment the subjugation of nature -- and has generated a conceptualization of human subjectivity emphasizing these qualities. Yet the costs of this conception of human selfhood are high and at modernity's most acute moments of historical crisis writers and artists can be seen turning to feminine-connoted figurations -- nature tradition myth and spirituality intuition relationality flux. In recent decades studies have examined the cultural crisis of German modernity notably at the turn of the nineteenth to the twentieth century as a crisis of masculinity. Feminist critiques meanwhile have viewed cultural history as male-generated and phallocentric in need of a feminine corrective. The innovation of this book is to examine these two gendered perspectives side by side investigating the culturally symbolic significance of gender in post 1945 German language literature via a sequence of paired readings of major thematically related texts by male and female authors including Ingeborg Bachmann's novel <i>Malina</i> (1971) and Max Frisch's <i>Mein Name sei Gantenbein</i> (1964); Frisch's <i>Homo Faber</i> (1957) and Christa Wolf's <i>Störfall</i> (1987); Elfriede Jelinek's <i>Die Klavierspielerin</i> and Rainald Goetz's <i>Irre</i> (both 1983); and Heiner Müller's <i>Die Hamletmaschine</i> (1977) and Christa Wolf's <i>Kassandra</i> (1983). Finally Barbara Köhler's eight-poem cycle Elektra. Spiegelungen (written1984-85; published 1991) is considered as offering a way past the impasse of the male and female viewpoints.<br><br> Georgina Paul is University Lecturer in German at the University of Oxford and a Fellow of St. Hilda's College.