Photography and Cultural Heritage in the Age of Nationalisms

The second half of the 19th century was a time of extensive political upheaval in central east Europe that saw the negotiation of conflicting territorial claims in the region by the Russian Austrian and Prussian empires. The post-WW1 settlement gave rise to the formation of the independent nation states of Poland Lithuania Ukraine Latvia and Belarus. Less well know is that this same period was also an era of keen photographic activity. During this time of empire- state- and nation-building cultural heritage was a potent vehicle and a provider of collective memory and identity.This innovative account analyses the relationship between politics history cultural heritage and photography in central east Europe between 1859 and 1945. To understand the work photographs ‘do’ in the construction of cultural heritage the author analyses a wide range of little-known photographic archives created by contemporary professional and amateur photographers. Their work was extensively exploited in contemporary debates appearing in albums books journals exhibitions museum exhibits postcards and newspapers aimed at both scientific and popular and national and international publics. An extensive analysis of how photographic practices and outcomes were applied borrowed copied appropriated and transmitted shows how photography was used to exert or subvert power on the one hand and as a tool in constructing and negotiating group identities on the other. By weaving photography and its patterns of making dissemination and archival survival through major historical narratives this volume reveals the centrality of photography and visual discourse at pivotal moments of modern history.