Pit Swan & Orbate Writing

You could spend your whole day in one of these poems and anywhere in it.Living spending spending living. You could live physically in the poem. What choice does the body have?I dig the listing of things that riff and rhyme.This method explores rather than having a title that would frame/explain at onset we have here a title that explains nothing.None of it no line in it necessitates anything that follows it no questions begged; if a summation or ending's prized possibly eyes're on it but there's much in one's lap or in the foreground arms-length away to be sifted and reckoned with.Like it doesn't matter just what's said hashing and hammering might result in some slashed flatness here are particulars overrun on the way there.None of it filler and all of it bundles of murk to training heals to oatmeat as vital indispensable invaluable. The stuff of life rather than the confabbed frictions that life's arguably stuffed of.This poem could go on forever a ticker tape of particulars up for grabs going once. Turning out hammered out vital stats a line-stack of lines running vertically thru time.Italicized lines counterpoints as connectors hinges summations concurrent poetic bizness conducted parallel series commentary.And places where the poem can fold and stack maintaining their spacing even when the poem's been folded and stacked a cube on the desk in the air in the mind.Parallel poesy. - from Preface by John Crouse