Plagiarisms

The rewriting of prose texts in iambics is perhaps primarily a way of reading them with deliberation; the texts here - favourites of course - have much in common. Those from Lampedusa posit the possibility of extraordinary events. Similarly Sylvie depends on extremities of tenderness exemplified by the scene in the Othys section when the narrator and Sylvie descending the stairs stage a re-enactment. And in the scene from Dalis novel Hidden Faces there is something in common with the luminous return to life near the end of The Count of Monte Cristo (which itself has echoes of the rapt statue scene in The Winters Tale). To render these theatrical interludes in verse is of course an indulgence but also it is hoped a tribute and an invitation.