<p>&nbsp; &nbsp;&ldquo;Dennis Reardon is a passionate and always interesting playwright.&rdquo;<br />Richard Nelson</p><p>&nbsp; &nbsp;&ldquo;One of the leading playwrights who engendered the early years of the Joseph Papp Public Theater&mdash;a signal contribution to getting us on the national cultural map.&rdquo;<br />Bernard Gersten Executive Producer Lincoln Center Theater</p><p>&nbsp; &nbsp;&ldquo;Reardon tackles some very pertinent and hair-raising issues with great flair and humor. I&rsquo;m glad to see that he continues to write provocative plays.&rdquo;<br />Gordon Davidson Artistic Director/Producer Mark Taper Forum</p><p>This collection includes three full-length plays: STEEPLE JACK THE PEER PANEL and THE MISADVENTURES OF CYNTHIA M.</p><p>About STEEPLE JACK:</p><p>&nbsp; &nbsp;&ldquo;Like a well-cut diamond with many shining facets playwright Dennis J Reardon has given theater audiences a quality gem in STEEPLE JACK. Set in rural Kansas STEEPLE JACK is about bare bones existence: life and death youth and maturity males and females good and evil the relationships that hold life together and the need for love in the face of grief&hellip;a richly textured work peopled with equally textured characters and dialogue&hellip;the mystic Steeple Jack conveys a sympathetic&nbsp;<br />personality that is despite his tramp-like appearance otherworldly and eerily distant without seeming like something born of monster movies.&rdquo;<br />Kathleen Mills The Bloomington Herald-Telephone</p><p>About THE PEER PANEL:</p><p>&nbsp; &nbsp;&ldquo;Funny and incisive THE PEER PANEL shapes a meditation on the future of the American theater into an absorbing funny and gracefully structured play&hellip;THE PEER PANEL evades its potential for caricature thanks largely to Reardon&rsquo;s uncanny command of each character&rsquo;s voice&hellip; But THE PEER PANEL while rooted in its characters&rsquo; preoccupations isn&rsquo;t just about theater. It&rsquo;s also about the foundations of personal aesthetic preferences about the ways in which culture&nbsp;<br />and ideology and prejudice influence what we like&mdash;and how differences in taste can obstruct interpersonal connections. Sort of like Yasmina Reza&rsquo;s ART only without the tedium.&rdquo;<br />Eric Pfeffinger The Bloomington Herald-Times</p>
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