What happens when poetry deals explicitly with a serious theological issue? In <i>Poetry Does Theology</i> Jim Rhodes seeks one answer to that question by analyzing the symbiotic relationship that existed between theology and poetry in fourteenth-century England. He pays special attention to the narrative poems of Chaucer Grosseteste the Pearl-poet the author of Saint Erkenwald and Langland. Rhodes shows that Chaucer and his contemporaries wrote at the end of a linguistic and theological revolution-a time when revised perspectives on the creation and incarnation gave rise to a new humanistic spirit that transformed late medieval theological culture and spurred the development of vernacular theology and poetry. Rhodes' careful analysis describes how the relationship between theology and poetry underwent a radical transformation as the latter half of the fourteenth century progressed.
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