Pop-Mythological Urine Marking of our Streets

Research analyzes discursive meanings of ethno-religious street graffiti and consummation and reception of their texts and contextual messages in Banja Luka once a military and nowadays a political center of RS (Republic of Srpska). Ethno-religious graffiti are inflammable form of street art whose narrative contain prevailing national and religious features themes and myths of new-Serbian pop-nationalistic meta-narratives of 1990''s. In today''s post-war and post-genocidal context of RS they are true ethno-fascistic hate speeches but also a form of street postproduction of dominant official memory narratives identitarian practices and ethno-exclusivism of the Serbian ethno-political elite in BiH (Bosnia and Herzegovina) and Belgrade. By emphasizing ethnic and religious differences new-Serbian ethno-exclusivism and racial or religion elitism by glorifying war crimes and war successes or by hating others these graffiti aggressively produce visibility of our stories in such a powerful way that they produce discursive invisibility auto-censorship and oblivion of others.