Popular music has long understood that human rights if attainable at all involve a struggle without end. The right to imagine an individual will the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion with human rights currently being violated all over the world a new and sustained examination of cultural responses to such issues is warranted. In this respect music which is always produced in a social context is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide.
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