Very little research has been conducted on how madness is represented in popular music. In an effort to redress this imbalance Nicola Spelman identifies links between the anti-psychiatry movement and representations of madness in popular music of the 1960s and 1970s analysing the various ways in which ideas critical of institutional psychiatry are embodied both verbally and musically in specific songs by David Bowie Lou Reed Pink Floyd Alice Cooper The Beatles and Elton John.
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