Portfolio

This portfolio of works produced between 1990 and 2021 is the companion to the book Research Art by Michael Betancourt. It is a full color chronological documentation of movies statics and social installations. This concise summary reveals a diverse practice addressing how media history digital technology and capitalist ideology inform studio practice. At once very specific the work collected here reveals a consistent and coherent aesthetic realized by an artist who self-consciously placed himself on the margin of the art world as a way to achieve critical distance. Showing both representative stills and documentary information this Portfolio reveals the constant concerns with critical praxis that unify Betancourts various projects.