Pulp Literature Summer 2022

<p><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>In This Issue:</span></p><p><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>It's summertime and the water's fine ... or is it? 'Collector' by cover artist </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Akem</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> beckons us beneath the surface and between the pages. But in 'A Collection of Secrets' by feature author </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Rhea Rose</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> and 'The Island' by </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>M Denise Beaton</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> we discover that some treasures are better left hidden.</span></p><p><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Back on shore summer brings around friends both new and old in 'Audrey and the Crow' by </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Cadence Mandybura</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> 'The Two Oh Four Six' by </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Dustin Moon</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> 'Floaters' by </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Kevin Sandefur</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> and 'Whispers in Between My Shoulder Blades' by </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Christine Breede</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>. </span></p><p><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Shapeshifers in 'Shadow Work' by </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Soramimi Hanarejima</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> and 'Gwannyn's Song' by </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>JM Landels</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> show us the secret to sacrifice. And families come together reshaped in </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Kaile Shilling's</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> SiWC honourable mention 'Death and Laughter'.</span></p><p><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Allison Bannister</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> in 'The Play's the Thing' and </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Mel Anastasiou </strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>in 'Pretty Lies: Hold On' draw inspiration from the classics. And poetry from </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Dawn Macdonald</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> and </span><strong style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)>Yuan Changming</strong><span style=background-color: rgba(0 0 0 0); color: rgba(0 0 0 1)> reminds us that love is classic too. </span></p>