<p>Most of the pieces in <strong><em>Rain After Midnight</em></strong>&nbsp;can be thought of as filmic as &quot;long story short.&quot; The shortness of the form works like the compression required in a good poem.<br />There are four distinct groupings or sets of stories: &nbsp;One set has to do with film cinema movies; a second springs from thinking about writing what is involved; pieces connected with England make a third grouping; and the fourth is the past that great well.<br />As the French film director Godard said when a reporter asked him if he thought that a film should have a beginning middle and end &quot;Yes. But not necessarily in that order.&quot;</p>
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