<p>&#39;In <em>Random Adventures</em> Martin Christmas brings an acute and sympathetic observer&rsquo;s eye to visual details in a scene. This is not unexpected given his keen skills as a photographer. The familiar is frequently conjured for the reader in a surprising way offering an understanding of aspects of the world that we might otherwise take for granted.</p><p>Christmas moves easily between three key subject areas: human interaction the built environment (houses walls streets and industrial monoliths for instance) and the backdrop of a natural world that seems increasingly threatened. The human dimension proves particularly rich ground for his poetry. Christmas highlights significant disparities in wealth and social capital among us with a focus on such people as the disenfranchised poor forced to collect recyclable cans a frail and elderly couple trying to negotiate a road crossing or a teenaged shoplifter challenging a store owner. In the carefully realised &quot;254 to Dreamtime&quot; an Aboriginal passenger falls asleep during a bus ride and inadvertently rests her head on another stranger&rsquo;s shoulder. It is an image rendered without overstatement and all the more powerful for that. Christmas is able to seize on other facets of suburban street life&mdash;dumped furniture the rituals of bin night and a packed trailer indicating the collapse of a couple&rsquo;s relationship. He mixes humour with wit and a constant sense of awe at the natural world.&nbsp;<em>Random Adventures</em> shows Martin Christmas maturing as a poet and is an important step forward in his writing.&#39; &ndash; Steve Evans former Director of the Creative Writing Program Flinders University</p>
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