Reading Contemporary Serial Television Universes

<p>Reading Contemporary Serial Television Universes provides a new framework—the metaphor of the narrative ecosystem—for the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.</p> <p>Acknowledgements</p><p></p><p>List of Figures and Tables</p><p></p><p>List of Contributors</p><p></p><p>Editors’ Introduction</p><p></p><p>Part I – Theory</p><p></p><p>Chapter 1: New Paths in Transmediality as Vast Narratives: The State of the Field</p><p>Matthew Freeman</p><p></p><p>Chapter 2: Crossing the Boundaries: Narrative Ecosystems as Semiospheres</p><p>Marta Boni</p><p></p><p>Chapter 3: Evolution in Vampire-Centered TV Ecosystems</p><p>Héctor J. Pérez and Fernando Canet</p><p></p><p>Chapter 4: Audiences and Fan Studies: Technological Communities and Their Influences on Narrative Ecosystems</p><p>Paul Booth</p><p></p><p>Chapter 5: Spin-offs, Crossovers, and World Building "Energies"</p><p>Derek Johnson</p><p></p><p>Chapter 6: The Evolution of Characters in TV Series: Morphology, Selection and Remarkable Cases in Narrative Ecosystems</p><p>Veronica Innocenti and Guglielmo Pescatore</p><p></p><p>Part II – Analysis</p><p></p><p>Chapter 7: An Italian Ecosystem: Gomorra</p><p>Ilaria A. De Pascalis</p><p></p><p>Chapter 8: Thank God I'm a Country Series. Interacting Environments and Networks in Nashville</p><p>Paola Brembilla</p><p></p><p>Chapter 9: You’re Sherlock Holmes, wear the damn hat! Character Identity in a Transfiction</p><p>Roberta Pearson</p><p></p><p>Chapter 10: The Specificities of the North-European Seriality: Strong Local Voices in a Global Media-World</p><p>Heidi Philipsen</p><p></p><p>Chapter 11: Event TV Drama within Narrative Ecosystems: Extended Seriality and Differing Paratextual Orientations in the 50th Anniversaries of Cult TV</p><p>Matt Hills</p><p></p><p>Chapter 12: The Game of Game of Thrones: Networked Concordances and Fractal Dramaturgy</p><p>Andrew Beveridge and Michael Chemers</p>