<p><span style=color: rgba(0 0 0 1)>There are movie-goers movie fans and movie lovers.&nbsp;REEL CHANGE III is for all three.</span></p><p><span style=color: rgba(0 0 0 1)>&nbsp;</span></p><p><span style=color: rgba(0 0 0 1)>For the passively curious to the die-hard deep divers REEL CHANGE offers looks into and behind the magic of what's on the big and little screen.&nbsp;There are farewells to icons like James Caan and Ray Liotta X-ray examinations of the inner changes in a business that almost overnight has become dominated by streaming and retrospective looks at the movies well-remembered (Planet of the Apes Titanic) as well as those overlooked and unjustly forgotten like those in 1973 a year overstuffed with classics like American Graffiti art house gems like Badlands.</span></p><p><span style=color: rgba(0 0 0 1)>&nbsp;</span></p><p><span style=color: rgba(0 0 0 1)>After REEL CHANGE III the next time you park yourself in a theater seat or in front of your TV your eyes will be a little wider and you'll see a little more.</span></p><p><span style=color: rgba(0 0 0 1)>&nbsp;</span></p><p><span style=color: rgba(29 34 40 1)>Bill Mesce Jr. has created another treasure chest of interesting movie and TV articles.&nbsp;The lucky readers who open this third wonderful collection will be entertained and enlightened from beginning to end. What fun!&nbsp;</span></p><p><span style=color: rgba(29 34 40 1)>-&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span><span style=color: rgba(29 34 40 1); background-color: rgba(255 255 255 1)>Betty Jo Tucker film critic and award-winning author of&nbsp;</span><em style=color: rgba(29 34 40 1); background-color: rgba(255 255 255 1)>Confessions of a Movie Addict Susan Sarandon: A True Maverick Cinema Stanzas&nbsp;</em><span style=color: rgba(29 34 40 1); background-color: rgba(255 255 255 1)>and&nbsp;</span><em style=color: rgba(29 34 40 1); background-color: rgba(255 255 255 1)>Cinema Stanzas Two.&nbsp;</em></p><p><em style=background-color: rgba(255 255 255 1); color: rgba(29 34 40 1)>&nbsp;</em></p><p><span style=background-color: rgba(255 255 255 1); color: rgba(29 34 40 1)>Mesce's essays have the feeling one gets when the lights go down the&nbsp;big sound comes up and the screen begins to glow.&nbsp;</span><span style=color: rgba(29 34 40 1)>They seamlessly guide&nbsp;you into the world of movies.&nbsp;Facts insights stories and reflections from a writer who really knows make the world of movies richer and more fun.&nbsp;</span></p><p><span style=color: rgba(29 34 40 1)>-&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Josh Sapan Media Executive</span></p><p><span style=color: rgba(29 34 40 1)>&nbsp;</span></p><p><em style=color: rgba(29 34 40 1)>&nbsp;</em></p><p><span style=color: rgba(34 34 34 1)>One punchy opinionated beautifully-crafted essay after another.&nbsp;Mesce might just be the best film writer you've never heard of and you owe it to yourself to change that.</span></p><p><span style=color: rgba(0 0 0 1)>-&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</span><span style=color: rgba(34 34 34 1)>David Breckman writer/co-producer MONK</span></p>
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