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About The Book
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<p>&quot;In David Rushmer&rsquo;s stunning book&nbsp;<em>Remains to Be Seen</em> we find a carefully crafted rendering of a voice in the world each syllable of this drama earned. There is a microtonal attention to reality and a gorgeous music throughout. This is a truly remarkable first book.&quot; &nbsp;&mdash;Peter Gizzi</p><p>&quot;David Rushmer&rsquo;s poetry can come as a shock. The power of the writing comes from a compelling manipulation of rhythmic devices combined with an insistence on a pared-down word-hoard constantly revisited. &nbsp;It is intense. It has great scope. It has a primitive elemental feel with an attention to rhythmic and sonic detail.<br />&nbsp;&nbsp; &nbsp;&nbsp;Rushmer has acknowledged his debts to French writers such as Maurice Blanchot and Bernard No&euml;l and it is the case that his own work doesn&rsquo;t seem to fit comfortably into any particular tradition of British writing. This of course is one of its great strengths Rushmer is a European writer.&nbsp;<br />&nbsp; &nbsp; &nbsp;The title of the book is as deft as any of its contents in managing to hint at a devastated landscape consisting of nothing but remains as well as a glimmer of hope in the other sense of the phrase &#39;it remains to be seen.&#39; I have a high regard for this work. It is subtly crafted deeply serious and disturbingly memorable.&quot; &nbsp;&mdash;Peter Hughes</p>