REPRESENTATION OF HISTORY IN RAHI MASOOM REZA'S A VILLAGE DIVIDED AND AMITAV GHOSH'S THE GLASS PALACE

This study attempts to re-claim the history of people like my mother and her family who have been the victims of war and violence. It aims at contributing to the on-going interdisciplinary research and debate between history and literary studies and more precisely between history and novel. It emphasizes the difference of approach employed by both novel and history in terms of capturing holocaust-like tragedies and their implications. It stresses the need of understanding the historical past as well as contemporary timesnot only in terms of collected facts or documentationbut also in terms of stories—both individual and collective both oral and written. It is indispensable to take the help of novel in order to make complete sense of the available historical materials. It also attempts to understand whether history and novel share a seamless complementary relationship as major narratives or not. Most importantly it aims at filling the innumerable gaps in the official text of sub-continent history particularly India and Burma and thereby to make history free from being unilateral hegemonic and conclusive. It foregrounds those voices that have either been marginalized subdued or evaded. It calls for the subaltern reading of history which looks at history from below [victim’s view] and questions or de-centers the view from above [victimizer’s view]. Thus succinctly questions the canonical significance and hegemony enjoyed by history over literature as a discipline.