<p>This book engages the reality of the new historical genres practised today (such as historical re-enactments gaming history social media graphic narratives and first-person narratives of memoirs of trauma and film-history) which compete with the traditional model of historical prose (such as monographs biographies or narratives histories) and asks if we can we use this category for a critical analysis of historical practice. This book was originally published as a special issue of <i>Rethinking History</i>.</p>
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