'Provides a compelling argument for Plath's revision of the painful parts of her life - the failed marriage her anxiety for success and her ambivalence towards her mother. . . . The reader will feel the tension in the poetry and the life.'<i>CHOICE</i> '[Examines] Plath's twin goals of becoming a famous poet and a perfect mother. . . . This book's main points are clearly and forcefully argued: that both poems and babies require 'struggle pain endless labor and . . . fears of monstrous offspring' and that in the end Plath ran out of the resources necessary to produce both. Often maligned as a self-indulgent confessional poet Plath is here retrieved as a passionate theorist.' - <i>Library Journal</i> Susan Van Dyne's reading of twenty-five of Sylvia Plath's Ariel poems considers three contexts: Plath's journal entries from 1957 to 1959 (especially as they reveal her conflicts over what it meant to be a middle-class wife and mother and an aspiring writer in 1950s America); the interpretive strategies of feminist theory; and Plath's multiple revisions of the poems.
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