In <I>Robert Ward's </I>The Crucible<I>: Creating an American Musical Nationalism</I> Robert Paul Kolt explores the life of the leading American composer Robert Ward through an examination of his most popular and enduring work <I>The Crucible</I>. Focusing on the musical-linguistic relationships within the opera Kolt demonstrates Ward's unique synthesis of text and music one that lends itself to the perception of American musical nationalism.
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