<p>This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. </p><p>This book makes a major and original contribution to the fields of Indigenous visual arts professional curatorial practice graduate-level curriculum development and academic research. The contributors expand create establish and define Indigenous theoretical and methodological approaches for the production discussion and writing of Indigenous art histories. </p><p>Bringing together scholars curators and artists from across the intersecting fields of Indigenous art history critical museology cultural studies and curatorial practice the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based embodied and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; and collaboration consultation and mentorship. </p>
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