Routledge Companion to Philosophy and Music

<p><em>The Routledge Companion to Philosophy and Music</em> is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Over fifty entries by an international team of contributors are organised into six clear sections:</p><ul> <li>general issues </li> <li>emotion</li> <li>history</li> <li>figures</li> <li>kinds of music</li> <li>music, philosophy and related disciplines</li> </ul><p><em>The Routledge Companion to Philosophy and Music</em> is essential reading for anyone interested in philosophy, music and musicology.</p> <p><strong>Part 1: General Issues </strong>1. Definition <em>Andrew Kania </em>2. Silence, Sound, Noise, and Music <em>Jennifer Judkins </em>3. Rhythm, Melody, and Harmony <em>Roger Scruton </em>4. Ontology <em>Ben Caplan</em> & <em>Carl Matheson </em>5. Medium <em>David Davies </em>6. Improvisation <em>Lee B. Brown </em>7. Notation <em>Stephen Davies </em>8. Performances and Recordings <em>Andrew Kania</em> & <em>Theodore Gracyk </em>9. Authentic Performance Practice <em>Paul Thom </em>10. Music and Language <em>Ray Jackendoff </em>11. Music and Imagination <em>Saam Trivedi </em>12. Understanding Music <em>Erkki Huovinen </em>13. Style <em>Jennifer Judkins </em>14. Aesthetic Properties <em>Rafael de Clercq </em>15. Value <em>Alan Goldman </em>16. Evaluating Music <em>Theodore Gracyk </em>17. Appropriation and Hybridity <em>James O. Young </em>18. Instrumental Technology <em>Anthony Gritten </em><strong>Part 2: Emotion </strong>19. Expression theories <em>Jenefer Robinson </em>20. Arousalist Theories <em>Derek Matravers </em>21. Resemblance theories <em>Saam Trivedi </em>22. Music’s Arousal of Emotions <em>Malcolm Budd</em> <strong>Part 3: History </strong>23. Classical aesthetic traditions of India, China, and the Middle East <em>Stephen Blum & Peter Manuel</em> 24. Antiquity and the Middle Ages <em>Thomas J. Mathiesen </em>25. The Early Modern Period <em>Jeanette Bicknell </em>26. Continental Philosophy and Music <em>Tiger Roholt </em> 27. Analytic Philosophy and Music <em>Stephen Davies </em><strong>Part 4: Figures </strong>28. Plato <em>Stephen Halliwell </em>29. Rousseau <em>Julia Simon</em> 30. Kant <em>Hannah Ginsborg </em>31. Schopenhauer <em>Alex Neill </em>32. Nietzsche <em>John M. Carvalho </em>33. Hanslick <em>Thomas Grey </em>34. Gurney <em>Malcolm Budd </em>35. Wagner <em>Thomas Grey </em>36. Adorno <em>Andy Hamilton </em><strong>Part 5: Kinds of Music </strong>37. Popular Music <em>John A. Fisher</em><em> </em>38. Rock <em>Allan F. Moore</em> 39. Jazz <em>Lee B. Brown </em>40. Song <em>Jeanette Bicknell </em>41. Opera <em>Paul Thom </em>42. Music and Motion Pictures <em>Noël Carroll</em> &<em> Margaret Moore </em>43. Music and Dance <em>Robynn Stilwell </em>44. Visual Music and Synesthesia <em>Kathleen Higgins </em><strong>Part 6: Music, Philosophy, and Related Disciplines </strong>45. Musicology <em>Justin London </em>46. Music Theory and Philosophy <em>Judith Lochhead </em>47. Composition <em>Roger Scruton </em>48. Analysis <em>Joseph Dubiel</em> 49. Ethnomusicology<em> Peter Manuel </em>50. Music and Politics <em>James Currie </em>51. Sociology and Cultural Studies <em>Anthony Kwame Harrison </em>52. Music and Gender <em>Fred Everett Maus </em>53. Phenomenology and Music <em>Bruce Ellis Benson </em>54. Music, Philosophy, and Cognitive Science <em>Diana Raffman </em>55. Psychology of Music <em>Eric Clarke </em>56. Music Education <em>Philip Alperson.</em> Index</p>