<p>Through the precession of simulacra we have arrived at a landscape of e-girls and sad boys the aesthetic values of our time transposed onto the ecstatic communications of the hyperreal. Through Baudrillardian analysis Alex Mazey attempts to trace a genealogy of Sad Boy Aesthetics charting its earliest occurrences to progenitors like Yung Lean and Bladee before moving towards more connective and investigational readings of Lil Peep.</p>
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