<p><em>Saint Worm</em> Hailey Leithauser&rsquo;s second poetry collection collects&mdash;sometimes warmly sometime wickedly&mdash;glowworm bookworm earthworm and other earthly and unearthly creatures including human beings. Leithauser&rsquo;s sparklingly inimitable style mates the serious with the playful yielding a treasury of quirkiness inventive turns of phrase wordplay and expansive diction making&nbsp;<em>Saint Worm</em>&nbsp;a collection unlike any other.</p><p><strong>PRAISE FOR <em>SAINT WORM</em></strong></p><p>Surprise is what I treasure most in my reaction to art and Hailey Leithauser&rsquo;s <em>Saint Worm</em> surprises. Alternately funny and sad creepy and comfy disturbing and insightful the book demands attention. Quirky as Stevie Smith and smart as Marianne Moore what you hold in your hands is a masterpiece.<br />&emsp;&emsp;&mdash;Spencer Reece</p><p><strong>PRAISE FOR HAILEY LEITHAUSER</strong></p><p>&ldquo;Meticulously crafted . . . Leithauser has style to spare but also substance and yes playful in the best sense of the word pleasurable and pleasure-seeking . . . This is the trick Leithauser does so well marrying delightful silvery rhyme to darker content.&rdquo;&mdash;<em>Los Angles Review of Books</em></p><p>&ldquo;The talent and craft exhibited here is cause for sheer glee . . .&nbsp; Leithauser&rsquo;s agility of expression and biting sense of humor shine through . . . Here&rsquo;s hoping this confident and deft collection will be the first of many from a powerful wordsmith.&rdquo;&mdash;<em>Shelf Awareness</em></p><p>&nbsp;&ldquo;. . . In its playfulness its confections of wordplay . . . Delightful.&rdquo;&mdash;<em>Boston Review</em></p><p>&ldquo;A frantic argument in favor of obvious beauty of ornament and of elaborate jokes as barriers against something like despair.&rdquo;&mdash;<em>Publishers Weekly</em></p><p>&ldquo;Possessed of an unnatural ability with the language preternatural grace in form and an extraordinary capacity to be dead serious with killer humor.&rdquo;&mdash;<em>Women&rsquo;s Voice for Change</em></p><p>&ldquo;Hailey Leithauser&rsquo;s intoxicating first collection understands the physical nature of words and sounds. Her poems bounce along several registers surprising us with their diction and resulting music . . . <em>Swoop</em> stands out as one of the most interesting books of this past year.&rdquo;&mdash;<em>32 Poems</em></p><p><strong>ABOUT THE AUTHOR:</strong></p><p>Hailey Leithauser&rsquo;s debut collection <em>Swoop</em> won the Poetry Foundation&rsquo;s Emily Dickinson First Book Award and the Towson Prize for Literature. Her poems appear in <em>Agni</em> the <em>Gettysburg Review Poetry</em> the <em>Yale Review</em> and numerous other periodicals and have been selected three times for <em>The Best American Poetry</em> anthology. She is a recipient of the Discovery/the <em>Nation</em> Prize the <em>River Styx</em> International Poetry Award the Elizabeth Matchett Stover Award and two Individual Artist Grants from the Maryland State Arts Council. She lives quite lazily at the edge of a precipitous wooded ravine a few miles north of Washington DC and teaches at the West Chester Poetry Conference.</p>
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