<p>&quot;sallow&quot; continues a long sequence of poems about the languages<br />of trees &quot;halse for hazel&quot; (Shearsman 2014). &quot;halse for hazel&quot; began<br />on the hills of Exmoor and sallow explores low lying wetland<br />areas mapping political and environmental pressures. This sequence<br />includes a collaborative text with Harriet Tarlo and striking images by Irma Irsara.</p><p>&lsquo;I found her work a highly pleasant revelation at once<br />thoroughly alert and judged yet delightfully manic and farreaching<br />in its wildness risks and resultant freedoms&rsquo;<br />David Morley Poetry Review</p><p>&lsquo;Presley&rsquo;s work sleights the relationship between landscape and<br />language each deploying (or deployed) as markers for the<br />human eye.&rsquo;<br />G. C. Waldrep Kenyon Review</p>
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