<i>Salman Rushdie and the Genesis of Secrecy</i>is the first book to draw extensively from material in the Salman Rushdie archive at Emory University to uncover the makings of the British-Indian writer's modernist poetics. Simultaneously connecting Rushdie with radical non-Western humanism and an essentially English-European sensibility and therefore questions about world literature this book argues that a true understanding of the writer lies in uncovering his 'genesis of secrecy' through a close reading of his archive. Topics and materials explored include unpublished novels plays and screenplays; the earlier versions and drafts of <i>Midnight's Children</i>and its adaptations; understanding Islam and <i>The Satanic Verses</i>; the influence of cinema; and Rushdie's turn to earlier archives as the secret codes of modernism. <br/> <br/> Through careful examination of Rushdie's archive Vijay Mishra demonstrates how Rushdie combines a radically new form of English with a familiarity with the generic registers of Indian Arabic and Persian literary forms. Together these present a contradictory orientalism that defines Rushdie's own humanism within the parameters of world literature.
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