<p>In Salman Rushdie's novels images are invested with the power to manipulate the plotline to stipulate actions from the characters to have sway over them seduce them or even lead them astray. <em>Salman Rushdie and Visual Culture</em> sheds light on this largely unremarked - even if central - dimension of the work of a major contemporary writer. This collection brings together for the first time and into a coherent whole research on the extensive interplay between the visible and the readable in Rushdie's fiction from one of the earliest novels - <em>Midnight's Children</em> (1981) - to his latest -<em> The Enchantress of Florence </em>(2008). </p>
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