Scapegoat

<p><em style=color: rgba(49 49 49 1)>Scapegoat</em><span style=color: rgba(49 49 49 1)> by T.K. Lee is his second collection of poetry and in it Lee continues deepening his artistic voice by centering the same unnamed narrator introduced in his first collection in more intimate and recognizable moments of vulnerability: Having Love and Having Loved. Far from what one might call love poetry Lee effectively teases out the traditional tropes in this second collection branching into experimental forms at times. Yet even in his playful and innovative approaches he doesn't allow his subject to grow maudlin or overly sentimental The poems in </span><em style=color: rgba(49 49 49 1)>Scapegoat </em><span style=color: rgba(49 49 49 1)>thematically ebb and flow catching and releasing the reader along with the narrator as he struggles to learn the hardest truth of natural law: That to fully live one must finally leave...whether that may mean a job a home or a marriage. Which he does in each case and fails each time and like the prodigal son he gives in and returns to his childhood home resigned at last to wait it out until something becomes familiar again. But Fate is waiting for him there to make sure he doesn't miss the bigger lesson: That giving in is not the same as giving up.</span></p>