Scotland in feature film

Diplomarbeit die am 01.08.2002 erfolgreich an einer Universit?t in ?sterreich im Fachbereich Human- und Sozialwissenschaften eingereicht wurde. Abstract: At Glasgow's University Library I discovered a book about Scotland on film Scotch Reels. Originally Scotch Reels is the title of a research carried out in 1982 about the depiction of Scotland on screen. It was revealed then that the predominant image of Scotland was very much engaged with stereotypes (defined as the heather and haggis image by one of the book's critics) and had obviously nothing to do with the contemporary reality of Scotland. Not surprisingly that radical view has found a lot of stern critics. On superficial examination when I think of all the recent films set in Scotland (ranging from the historical epos Braveheart to the contemporary fast-paced drug story Trainspotting to mention two of the more popular examples) it seems to me that contemporary films set in Scotland show a wider spectrum of Scottish life than they apparently did before the 1980s when the stories were mostly (with a few exceptions only) set in the Highlands or on an island in a community far away from contemporary (modern and industrial) life. As a classic example of those films one can mention the musical Brigadoon by Vicente Minnelli from the year 1954. However in my thesis I want to concentrate on films set in the City of Glasgow since there would be far too much material concerned if I considered every single available recent film set in Scotland. I would like to find out whether the image of Glasgow has improved (or widened in its conception) through the release of recent films compared to its depiction in older movies. As I could not analyse all recent feature films set in Glasgow in this context I decided to concentrate on a few examples. By taking a closer look at these films I hope to be able to demonstrate how varied (or one-sided - as will be deter